Country Artist Billy Joe Royal

Royal was a friend of performer and songwriter Joe South, and recorded what was intended as a demo of South’s song “Down in the Boondocks”. The recording was heard at Columbia Records, who offered Royal a singing contract in 1965 and released his version of the song, produced by South. “Down in the Boondocks” remained his best-known song, reaching number 9 on the Billboard Hot 100, and number 38 in the UK.

He followed up his initial success with the singles “I Knew You When” (1965) and “Hush” (1967), also written and produced by Joe South. Another South composition, “Yo-Yo”, just missed the top 40 in Canada and charted poorly in the U.S. when Royal released it in 1967, but a later remake by The Osmonds was a much greater success. His 1969 single, “Cherry Hill Park”, peaked at No. 15 on the Billboard Hot 100. In the 1970s his recording of “Heart’s Desire” gained popularity among Northern soul enthusiasts and was regularly played in Northern soul nightclubs.

By the late 1970s, Royal had become a regular performer in Las Vegas, and also appeared as an actor in movies and on television. His last hit on the US Pop charts was in 1978, when his version of “Under the Boardwalk” became a minor hit. However, he reinvented himself in the 1980s as a mainstream Country star, and had his first hit on the Country music chart in 1985 with “Burned Like a Rocket”, released on the Atlantic label. His other Country hits included “I’ll Pin a Note on Your Pillow” (1987), “Tell It Like It Is”, and “Till I Can’t Take It Anymore” (both 1989). His successes on the Country charts continued until the early 1990s.

Royal experienced a second comeback during the 2000s due to regular airplay on Country and Classic radio stations. His music was further exposed to younger generations through a movement known as The Beat Army, an online music forum based on Facebook which is operated by author and music producer Paul Collins. Royal continued to tour regularly, performing concerts at casinos, music festivals, and clubs in North America, Japan, and throughout Europe. His set lists included a mixture of songs representing multiple genres from the 1960s onwards.